Grading adds real cost and turnaround time to owning a comic, which means it's worth doing selectively rather than for an entire collection at once.

Some books genuinely benefit from a graded slab, while others hold their value just fine in a bag and board.

Here's how to think through which comics are actually worth submitting, and how to keep everything else properly protected in the meantime.

Comics That Usually Justify Grading

Key issues, first appearances, and low print-run books from any era generally see the clearest value boost from a professional grade.

High-grade copies of already-valuable comics benefit the most, since a professional numeric grade removes any doubt about condition for a potential buyer.

Books already showing signs of wear from age or handling rarely gain enough value from grading to offset the submission cost.

When Grading Isn't Worth the Cost

Common back-issues and lower-demand books rarely see enough of a value bump to justify grading fees, shipping, and turnaround time.

A book you plan to read regularly is generally better kept raw, since a graded slab makes the comic harder to access casually.

Submitting a large batch of mixed-value books without pre-sorting often means paying grading fees on comics that won't recoup the cost.

Understanding the Cost and Timeline

Grading fees vary by declared value tier and turnaround speed, with rushed service costing significantly more than standard processing.

Turnaround times can run from a few weeks to several months depending on submission volume and service tier chosen.

Factoring both cost and wait time into the decision helps avoid submitting a book that won't be back in hand for months over a marginal value gain.

Protecting Comics You Choose Not to Grade

A bag and backer board combination remains the standard, effective way to protect an ungraded comic from bending, moisture, and UV exposure.

Choosing the correct board size for the comic's era, current, silver, or golden age, keeps a snug fit rather than a loose one that allows movement inside the bag.

Long boxes with dividers organized by title or era make it easy to track a growing raw collection alongside any graded pieces.

Building a Mixed Raw and Graded Collection

Most serious collectors run a mixed collection, with key issues slabbed and the bulk of their reading copies kept raw in bags and boards.

Reviewing a collection periodically for books that have appreciated enough to justify a late grading submission is a normal part of long-term collecting.

Keeping raw books in proper protective materials preserves the option to grade them later without any condition loss in the meantime.

Working With a Grading Service Efficiently

Pre-screening a batch for obvious condition issues before submission saves both time and grading fees on books unlikely to return a strong grade.

Bundling several submission-worthy books into one shipment reduces per-book shipping cost compared to sending single issues individually.

Keeping a simple spreadsheet of what's been submitted, when, and at what declared value makes it far easier to track a growing number of graded returns over time.

How Grading Companies Differ in Turnaround and Reputation

Major grading services differ in typical turnaround time, submission fee structure, and how the broader collecting community perceives their grading standards.

Researching current wait times before submitting is worthwhile, since turnaround can shift significantly based on how many submissions a service is currently processing.

A service's reputation for consistent grading standards matters more for higher-value books, where a borderline grade can meaningfully affect resale value.

Reading recent collector feedback on a specific service's current turnaround and grading consistency gives a more up-to-date picture than relying on older general reputation alone.

Comparing declared value tiers across services before submitting the same book can reveal meaningful differences in total cost once fees and insurance requirements are factored in.

Asking a trusted local shop or online community for recent experiences with a specific grading service adds a useful, up-to-date perspective beyond a service's general marketing claims.

Common Mistakes

  • Submitting a full collection for grading without sorting for actual value first.
  • Grading a reading copy you'll want to handle regularly.
  • Storing ungraded comics in the wrong board size for their era.
  • Ignoring turnaround time when planning a grading submission.

Reassessing Older Submission Decisions

A collection built up over years may include books that would grade well today but weren't worth submitting when originally acquired at lower values.

Periodically reviewing older raw comics against current market prices helps catch books that have quietly become grading-worthy since they were first put into storage.

Keeping detailed notes on a collection's acquisition history makes these periodic reviews faster and more accurate over time.

Frequently Asked Questions

What kinds of comics benefit most from grading?

Key issues, first appearances, and high-grade copies of already-valuable books.

Is grading worth it for common back-issues?

Usually not, the fees rarely offset the value gain on low-demand books.

How should ungraded comics be stored?

In a bag and board sized correctly for the comic's era.

Can a comic be graded later after being kept raw?

Yes, proper storage preserves the option to grade a book later.

Protect Every Comic While You Decide

Whether or not a comic is grading-bound, keep it protected with EVORETRO's comic supplies collection.

Related Guides

Recommended Products